Listening for Foremothers in Rosalía’s Lux

By Sarah Finley

https://doi.org/10.63473/RQXC3607 From polemical reworkings of flamenco idioms and the 13th-century Occitan romance Flamenca in El mal querer (2018) to feminine interventions in the Caribbean-flavored musical eclecticism of Motomami (2022), Catalan-born Rosalía Vila Tobella knows how to make a splash. Her fourth… Read More